En raison d’un arrêté de fermeture des établissements publics d’Orléans samedi 24 et dimanche 25 octobre, le musée des Beaux-Arts d’Orléans, l’Hôtel Cabu – musée d’Histoire et d’Archéologie, ainsi que la Maison de Jeanne d’Arc seront exceptionnellement fermés tout le week-end.
La Nuit des Ombres, prévue ce samedi 24 octobre, de 20h à minuit, est donc annulée.
Le musée des Beaux-Arts d’Orléans fermera exceptionnellement à 13h vendredi 23 octobre. L’Hôtel Cabu – musée d’Histoire et d’Archéologie sera quant à lui fermé les jeudi 22 et vendredi 23 octobre. Le centre de ressources des Beaux-Arts est exceptionnellement fermé jeudi 22 octobre après-midi.
Nous espérons vous retrouver nombreux à partir de la semaine prochaine.
Production: Cogniet, Léon (Paris, August 29, 1794 - Paris, November 20, 1880) (painter)
Souvenir of Lake Nemi
Souvenir of Lake Nemi
Date: 1818–1822
Field: Painting Technique(s): Paper (oil painting, mounted on canvas) Dimensions: Height: 22 cm; width: 17.2 cm Inventory number: PE.160
Cartel
Twenty kilometers southeast of Rome, the Albano and Nemi lakes in the heart of the Alban Hills have inspired countless artists with their splendid vistas and exceptional quality of light. Celebrated by the ancient Latin poet Virgil as "Diana's mirror", Lake Nemi and its shallow waters reflecting the sky and surrounding greenery have attracted generations of painters such as Claude Lorrain, Elisabeth Vigée Le Brun and Pierre-Henri de Valenciennes.
During their stay at the Villa Medici, Léon Cogniet and his friend Achille-Etna Michallon also went there several times to paint this landscape en plein air, but Cogniet, in particular, left behind radically modern views. In an unconventional approach, rather than recomposing the landscape, Cogniet favors the framing of the eye discovering the lake from the shore, behind the branches of the trees. The vegetation delimits a very tight frame, in which the painter contrasts the dark green foliage with the lake, sometimes pale, drowning the Monts Albains in a light mist, sometimes bright, illuminated by a skilful play of light and shadow. Painting nature as it appears is one of the challenges of plein-air painting, which Cogniet applied to the letter, delivering papers that even today stand out for their proximity to the snapshot that would be invented at the other end of the century.
Provenance
Collection Léon Cogniet, inventory of the artist's studio in 1861, no. 48.
Bequest from Catherine Caroline Cogniet (1813-1892) and Anne-Rosalie Thévenin (1819-1892), 1892.
School
France
Location
Museum of
Fine Arts
1st mezzanine
Room: The salon under the July monarchy (1830-1848)